Fever is a series of works made from fragments of family lore and imagined geographies. Craters are central motifs: impact sites where memory and possibility pool. They become generative spaces—where absence stirs new presence, where what lies buried is suddenly made visible. Craters are imagined as feeding bowls, ponds, carriers, or portals—thresholds between stillness and emergence. Tent-like forms mirror them, suggesting relations between exposure and refuge.
Documentation photographs by Anupam Diwan and Jeet Sengupta.
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A hundred ways to pitch a tent,
Graphite on paper, 4 x 4 7/8 in each, 2025