Working across image-making and installation, I follow my preoccupations and see where they go, what forms they take and invoke. I enjoy working with inks, dyes, found objects and pigments, allowing materials to shape the process. My work frequently revolves around estuaries, coastlines, and wetlands – places where ecological processes and histories of trade, migration, and colonialism are deeply entangled. Themes and questions of fluidity, non-binariness and spatial negotiation often surface along the way.